DIY MFA Group

This group is for those who want to study poetry, literary theory and the craft of writing as well as participate in workshops. We hope to have a deeper engagement with poetry and other forms of writing by reading and discussing work together. 

Meeting Agendas:

Sunday, January 25, 2026, 7pm

We’ll be reading environmental poetry from Brazil, considering the concept of “ecocide” and how poetry investigates connections between land, memory, identity and survival.

Márcia Wayna Kambeba
https://rosalienebacchus.blog/2019/11/17/silent-warrior-by-indigenous-brazilian-poet-marcia-wayna-kambeba/

H.E. Jay
https://confluence.gallatin.nyu.edu/sections/poetry/ours-nossa

Manifesto:
https://www.amazonialatitude.com/latin-american-ecopoetry-manifesto/

Sérgio Medeiros
https://ecopoesia.com/en/home/poet?entity=1002

Additional Latin American Poets:
https://www.americasquarterly.org/fullwidthpage/five-poems-in-indigenous-languages/


Sunday, October 26, 7pm

We’ll be reading The Bridge poem from the influential This Bridge Called My Back: Writings By Radical Women of Color published in 1981 as well as spotlighting other feminist poets from the 1980s, such as Carol Ann Duffy, Audre Lorde and Adrienne Rich. 

This Bridge Called My Back: Note the Bridge Poem is on page 60: https://mastersofsexshortcourse.wordpress.com/wp-content/uploads/2016/04/cherrc3ade-l-moraga-and-gloria-e-anzaldc3baa-this-bridge-called-my-back-writings-by-radical-women-of-color.pdf

Carol Ann Duffy:

Award-winning Scottish poet known for works like The World’s Wife, which rewrites male-dominated stories to center strong female figures. 

Audre Lorde

Adrienne Rich


Sunday, September 21, 7pm EST

The Poetry of Liberation

Please join us for a discussion about writing poetry for liberation. We will read some examples of poems out loud together and consider what it means to write with liberation in mind. This event will also have the option of donating to Watermelon Sisters, an organization that provides direct aid and art therapy in Palestine. https://watermelonsisters.org/

Nima Hasan
https://mizna.org/mizna-online/i-bequeath-life-to-you/
https://lithub.com/old-song-a-poem-by-nima-hasan/

Resources compiled by Alder: https://akalder.com/-palestinian-poetry

Liberation from Haiti to Palestine:
https://earlycaribbeansociety.org/events/poetry-for-liberation-from-haiti-to-palestine/


Sunday, July 27th, 7pm EST

We’ll read some poems out loud together that are examples of interesting writing about the body. How do poets bring embodiment to life in poetry? How can you use writing about the body and writing with your own body to speak back to a lens that tries to “other” and shame the body?

Romance by Susan Browne

Winter by Chen Chen

Closets are made of midwestern thunderstorms by Max Fischer

Homage to my Hips by Lucille Clifton


Sunday, June 8, 7pm EST

Poetry of the Song Dynasty- Sunday, June 8

We’ll be looking at ancient Chinese poetry of the Song Dynasty, from 960 to 1279 CE. Poetry, calligraphy and painting come together in the culture of the Song Dynasty. Poems (in translation) will be read out loud and then we will discuss. 

Poems from the Song Dynasty 

Poem Written in a Boat on the Wu River

Classical Chinese poems from the Song Dynasty

History/Background: 

The Best Poet of Song Dynasty

Writing The Body- Sunday, July 27

We’ll read some poems out loud together that are examples of interesting writing about the body. How do poets bring embodiment to life in poetry? How can you use writing about the body and writing with your own body to speak back to a lens that tries to “other” and shame the body?

Romance by Susan Browne

Winter by Chen Chen

Closets are made of midwestern thunderstorms by Max Fischer

Homage to my Hips by Lucille Clifton

Poem in Praise of Menstruation by Lucille Clifton 

Sunday, May 18th, 7pm

We’ll look at examples of poems about tarot reading or poems inspired by tarot cards. From CAconrad to WB Yeats to interviews from Luna Luna Magazine and Catapult Magazine, we’ll discuss poets on their relationships to tarot. Topics include imagery, symbolism, archetypes, rituals, trances, and occult practices, oh my! I can’t Rider-Waite for this!!!

(Soma)tic Poetry Ritual & Resulting Poem by CAconrad
https://tarotpoetry.wordpress.com/wp-content/uploads/2015/04/conrad-tarot-as-verb-9.pdf

William Butler Yeats, The Fool by the Roadside
https://allpoetry.com/The-Fool-By-The-Roadside

Poetry through the lens of the occult: an interview with joanna c valente & lisa marie basile
https://www.lunalunamagazine.com/dark/tarot-poetry

A conversation with Alice Notley on trance, tarot and poetry
https://phillysound.blogspot.com/2007_01_01_archive.html

A conversation about poetry and tarot:
https://magazine.catapult.co/how-to/stories/a-conversation-about-poetry-and-tarot


Sunday, April 20, 7pm

Often when poets start writing they begin where their life began– perhaps in the family or the home environment where they once grew up. We’ll be exploring poems about family and ancestry and discuss how one can not know the whole story but still tell some piece of it.

Mosab Abu Toha: “My Grandfather and Home”
https://www.poetryfoundation.org/poetrymagazine/poems/155508/my-grandfather-and-home

Fatimah Asghar: “The Women in My Family”
https://www.poetryfoundation.org/poetrymagazine/poems/1639242/the-women-in-my-family

Ava Cipri “Here”
https://www.poetryfoundation.org/poems/160110/here-643442d2c2c02

Li-Young Lee “Eating Together”
https://www.poetryfoundation.org/poems/43015/eating-together-56d221af2bf26


Sunday, March 23, 7pm

We will be focusing on how poetry responds to state violence and the ways that poets fight back through direct action, bearing witness and creating cultures of liberation. We’ll look closely at examples by Pussy Riot, Patricia Smith, and Julian Talamantez Brolaski. You don’t have to read in advance unless you want to. We will read out loud together during the event. 

Pussy Riot- Police State: (CONTENT WARNING- The youtube video has representations of police violence)

Lyrics of Pussy Riot’s Police State

YouTube Video of Pussy Riot’s Police State

A Pussy Riot Guide to Activism:

Patricia Smith’s Poem:

Julian Talamantez Brolaski’s Poem


Sunday, Feb. 23rd, 7pm

We will be looking at how to design a poetry workshop, beginning with considering different kinds of workshops from our own experiences. We’ll read out loud together a poem by Billy Collins called “Workshop” and we’ll discuss the dos and don’ts of creating a great poetry workshop. We’ll go over some of the ethics of being a workshop facilitator, taking inspiration from the work of Adrienne Maree Brown. You do not have to read in advance unless you would like to. We will be reading and discussing everything out loud together. This event will be recorded but participants will have the chance to turn off their camera and change their names if they would like to remain anonymous. Meeting will take place via Zoom. 

Billy Collins: “Workshop” https://www.poetryfoundation.org/poems/46704/workshop

Poetry workshop – how and why; practice and theory by Michael Rosen

The Writing Workshop That Runs Itself by Ben Dolnick

Leadership Tools: Group Facilitation

Emergent Strategy in Social Justice with Adrienne Maree Brown

Loving Corrections with Adrienne Maree Brown 

Brooklyn Poets:


Sunday, January 19th, 7pm

Intro to the Shahnameh by Ferdowsi- Sunday, January 19th, 2025

We’ll be looking at the Shahnameh by Ferdowsi who wrote the longest epic poem ever created by a single author. Ferdowsi wrote this Persian masterpiece between 977 and 1010 CE about the history of kings, but in the stories we see not only myths but also ancient wisdom bearing witness to the beauty of creation and the problems of power. Please keep in mind that there is no way we can go over such an incredible epic fully, so we will be starting with some passages from book one and will be talking about pages of the Shahnameh currently found in museums. You do not have to read in advance unless you want to. We will be reading passages out loud together followed by discussion.

Introduction from Wikipedia
https://en.m.wikipedia.org/wiki/Shahnameh

Illustrated book pages at the MET
https://www.metmuseum.org/toah/hd/shnm/hd_shnm.htm

Google doc with passages: https://docs.google.com/document/d/17oI_lF5CY2C6zQpoMd42_WPsFKmZW_ik-fPGiJcDvjY/edit?usp=sharing


Sunday, Dec. 1st, 7pm

Introduction and overview of ecstatic poetry and it’s relation to devotional poetry. I am building research from here into New England writers like Thoreau whose writing is infused with a deep awareness of the environment.

My ecstatic poetry practice is grounded in open awareness meditation and derived from haiku techniques over four years of practice. I happily present this class from an open minded and respectful standpoint, without going into my own beliefs or practices – we are sticking with the texts!

I also bring the perspective of a practicing “religious but not spiritual,” person. Many of the Mystic traditions and sub-branches have commonalities in body movement, singing, and concentration that are well evident in the associated poetry. So our texts include not just the poems, but descriptions of what kinds of other practices helped produce and produce these poems. Emphasis on the tangible commonalities between traditions like meditation, swinging, swaying, and dancing. “Meditation” techniques are extremely ambiguous so there is not as much to say from a written record standpoint but actions of the mouth and body are quite accessible 🙂

One week before class I will post a PDF containing condensed materials and poems using this article as a beginning point:

https://www.brandonthompsonauthor.com/what-is-ecstatic-poetry#:~:text=Ecstatic%20poetry%20is%20a%20journey,Ecstatic%20poetry%20is%20also%20teachable.

Please let me know if this topic interests you, and feel free to post any poets or poems you think fall into this category in the comments below the event! This kind of writing is in no way limited to one tradition or way of knowing, and it can be found in any word intuitively transmitted.

Zoom link posted on the day of.

Happy writing!

– Jade


Sunday, November 17th, 7pm

Writer’s Workshop:

Bring a poem or excerpt of any piece of writing of yours and get group feedback. (Not more than 2 pages please so we have enough time.) I will post the Zoom link on the day of the event on the FB page. If you don’t use FB, please email me: aprilmarchpenn@gmail.com to get the link.

We’ll be doing the question format where participants write questions that they have about your poem in the chat and then the poet selects a question that they would like the group to talk about. Writers gain insight into their work, plus it is fun to talk about our work together. If you are not able to do a screen share, please email your poem to the organizer during the Zoom event.


Sunday October 27th, 7pm

Poetry & Calligraphy

Work by Tom Daley

Poetic Form and Calligraphic Form by Devon Abts

Wikipedia has an excellent introduction to calligraphy.


Sunday, August 18th, 7pm

This workshop is about enjoying and understanding new-style haiku, through free and guided discussion as a group. All haiku we will discuss are relevant to healing, health, and disability, arranged in a loose thematic arc. We will also discuss a few pieces of haiku art!
While none of these very short poems are explicit and we will set boundaries for the conversation, this is a difficult topic. Please attend in a way that feels right for you. This workshop will not be recorded.
All haiku are pulled from recent issues of The Mamba Journal, published by the Africa Haiku Network, which is freely available online.
Here is a link to haiku we may discuss in person, arranged by topic. This is more of a menu – our conversation and what we are interested in will guide what we actually touch on.


Sunday, July 28th, 7pm

The Sealey Challenge & Poet Nicole Sealey 

The Sealey Challenge is a community challenge to read one poetry book a day for the month of August. The Sealey Challenge was started by poet Nicole Sealey to encourage folks to read books and chapbooks by marginalized poets and to support small presses and local, independent bookstores. We’ll be talking about getting ready for the Sealey Challenge and sharing what books we have so far and giving suggestions to each other about what small press poetry books are good to read. We may also read poems by Nicole Sealey. 

Note that the session will be recorded but participants will have time to turn off their camera and change their name before the recording starts if you wish to remain anonymous. 

The History of The Sealey Challenge: https://lithub.com/the-sealey-challenge-an-expansive-way-of-reading-poetry/

Poems by Nicole Sealey, founder of the Sealey Challenge

https://www.poetryfoundation.org/poetrymagazine/poems/152503/and-5e35efe60ff3f

https://poets.org/poem/even-gods

https://www.aprweb.org/poems/object-permanence


Sunday, June 23rd, 2024

Yoko Ono & The Fluxus MovementWe will be looking at the work of Yoko Ono, a Japanese multimedia artist who published Grapefruit, which is read as poetry. Poet Michael F. Gill created a conceptual art piece called Grapefruit, which is inspired by Yoko Ono, so we will also listen to a clip of Michael’s work. We’ll discuss the Fluxus Movement in relation to Yoko Ono’s piece. 

Yoko Ono’s Grapefruit

Michael F. Gill’s Grapefruit

https://bbtp.net/grapefruit.htm

Background on the Fluxus Movement 

https://www.theartstory.org/movement/fluxus/


Sunday, May 19th, 2024:

We will be talking about autistic and neuroqueer poetry, the ways that writing is shaped by being on the spectrum etc. Special guest, poet Nathan Spoon will be joining us!!! We’ll discuss “neuroqueer” as a recently coined term that describes queerness and neurodivergence. We will read out loud and discuss poems by Nathan Spoon, Hannah Emerson, Jai Hamid Bashir and Leslie Macintosh.

Poems by Nathan Spoon 

https://www.poetryfoundation.org/poetrymagazine/poems/154227/abraham-lake

https://www.poetryfoundation.org/poetrymagazine/poems/154226/be-monster

Hannah Emerson 

https://www.poetryfoundation.org/poetrymagazine/poems/157255/peripheral

Jai Hamid Bashir: https://therumpus.net/2024/04/22/national-poetry-month-jai-hamid-bashir/

Leslie Macintosh: (content warning for a slur that is reclaimed by the speaker) https://www.splitthisrock.org/poetry-database/poem/epistle-disobedience

Neuroqueer introduction

Neuroqueer essay


Sunday, April 28th:

We will be discussing how to put together a poetry book, from concept to layout and publishing options. We’ll be looking closely at the work of poet Adam Stone who will also be joining us. Check out Adam’s work here for an excellent example of how to have a poetry presence online & do community organizing & publishing: https://www.crookedtreehouse.com/
We’ll also be talking about Valerie Loveland’s new publication, a collection of poems about the Unsolved Mysteries series: http://www.freezeraypoetry.com/valerie-loveland.html?fbclid=IwAR1JYcjWOiYPI2DSIqpsDCDbhzLUmMSFkPc0dbRWPO8X5geLl1xurZ3dur8
Here are some resources for putting together a poetry collection or zine:
https://thecreativeindependent.com/guides/how-to-make-a-zine/

The Poet’s Toolbox: How to Organize a Collection


Sunday, March 17th, 7pm

By some accounts Enheduanna is the earliest known, named author from the 23rd century BCE. We’ll be reading poems by Enheduanna and looking at archaeological artifacts of Sumerian culture. You don’t have to read in advance unless you would like to. A Zoom link will be shared on the day of the event on our FB page or email the organizer if you need the Zoom link emailed to you: aprilmarchpenn@gmail.com.

https://enheduana.org/enheduanas-poems/
https://www.poetryfoundation.org/poems/157578/from-the-hymn-to-inanna


Sunday, February 11th, 7pm

We’ll be discussing how to write good love poems and reading out loud sections of this article from the Poetry Foundation: How To Write Love Poems That Don’t Suck:

https://www.poetryfoundation.org/articles/69223/how-to-write-love-poems


Sunday, January 7th, 7pm

Writer’s Workshop:

Bring a poem or excerpt of any piece of writing of yours and get group feedback. (Not more than 2 pages please so we have enough time.) I will post the Zoom link on the day of the event on the FB page. If you don’t use FB, please email me: aprilmarchpenn@gmail.com to get the link.

We’ll be doing the question format where participants write questions that they have about your poem in the chat and then the poet selects a question that they would like the group to talk about. Writers gain insight into their work, plus it is fun to talk about our work together. If you are not able to do a screen share, please email your poem to the organizer during the Zoom event.


Sunday, December 10th, 7pm

We’ll be doing a spotlight on the poetry of Richard Siken. We will read poems out loud and then discuss.

https://www.best-poems.net/richard-siken/poems.html

https://www.poetryfoundation.org/poets/richard-siken#tab-poems


Sunday, November 12th, 7pm

We’ll be reading poems by Ada Limón, the current Poet Laureate of the US and (according to Wikipedia) she was the first Latina Poet Laureate of the US. 

The Poetry Foundation has many poems by Ada Limón

https://www.poetryfoundation.org/poets/ada-limon#tab-poems

Here’s a conversation with Ada Limón from the NY Times if you’re interested:

You do NOT need to read anything in advance. We read poems out loud together and then discuss. The Zoom link will be posted a day or two before the event. 


Sunday, October 1st, 7pm

We’re going to discuss the history of zines, including queer/feminist/punk experiences. We’ll also take a look at some zines together and consider how zines make their own history, offer alternative sources of art and sometimes even include poetry. You do not have to read anything in advance unless you want to. We’ll read out loud and share it together. 

Content Warning: Zines may contain graphic descriptions of explicit content. Not all content shared by the authors of zines is representative of this organizer’s beliefs. 

History of Zines

Wikipedia History of Zines

Examples of Zines: 

Making History:

https://archive.qzap.org/index.php/Detail/Object/Show/object_id/181

Emily Dickinson Was A Fucking Ninja: 

https://archive.qzap.org/index.php/Detail/Object/Show/object_id/55

Life Has a Beard:

https://archive.qzap.org/index.php/Detail/Object/Show/object_id/146


Sunday, August 27th, 7pm

Bring a poem or excerpt of any piece of writing of yours and get group feedback. Those who have universe or outer space-themed work to share will go first, but after that you can share work on any theme. (Not more than 2 pages please so we have enough time.) I will post the Zoom link on the day of the event on the FB page. If you don’t use FB, please email me: aprilmarchpenn@gmail.com to get the link.

We’ll be doing the question format where participants write questions that they have about your poem in the chat and then the poet selects a question that they would like the group to talk about. Writers gain insight into their work, plus it is fun to talk about our work together. If you are not able to do a screen share, please email your poem to the organizer during the Zoom event.


Sunday, July 23rd, 7pm

We will be reading poems that feature outer space/ the universe. Poets include Emily Dickinson, Ursula Le Guin, Oompa, Joshua Jennifer Espinoza and many more! We read poems out loud together and then discuss them so no need to read in advance unless you’d like to. Poems include:

John Keats
https://www.poetryfoundation.org/poems/44468/bright-star-would-i-were-stedfast-as-thou-art

Walt Whitman
https://www.poetryfoundation.org/poems/45479/when-i-heard-the-learnd-astronomer

Emily Dickinson
http://bloggingdickinson.blogspot.com/2017/07/i-saw-no-way-heavens-were-stitched.html

Sylvia Plath
https://www.poetryfoundation.org/poetrymagazine/browse?contentId=28954

Adrienne Rich
https://www.poetryfoundation.org/poems/46568/planetarium-56d2267df376c

Ursula Le Guin
https://poets.org/poem/hymn-time

Oompa
https://www.youtube.com/watch?v=QWcFWzu_9wg

Joshua Jennifer Espinoza
https://www.thefeministwire.com/2015/07/3-poems-by-joshua-jennifer-espinoza/


Sunday, June 25th, 7pm

We will be reading poems that have to do with identity, gender and sexuality for pride month.

https://www.poetryfoundation.org/collections/144686/lgbtq-pride-poems


Sunday May 21st, 7pm

We’ll be doing a spotlight on the poetry of Ocean Vuong, a phenomenal poet and author who has featured at Cantab before. There is so much wisdom not only from the poems themselves but also from Ocean Vuong’s many interviews and commentary on what it means to be a writer. 

Here’s background info and some poems on Poetry Foundation: https://www.poetryfoundation.org/poets/ocean-vuong#tab-poems

Here’s an amazing interview: https://www.youtube.com/watch?v=u5NuCrAkjGw&list=WL&index=67&t=1683s


Sunday, April 23, 7pm

We will be discussing ecopoetics, a movement in poetry that engages with ecology, the poet’s own earth-ness and environmental issues.

Check out Jonathan Skinner’s many definitions of ecopoetics on the sidebar here: https://jacket2.org/commentary/jonathan-skinner

Here’s the poetry foundation’s collection: https://www.poetryfoundation.org/collections/146462/poetry-and-the-environment


Sunday, March 19, 7pm

Bring a poem or excerpt of any piece of writing of yours and get group feedback. Those who have love-themed work to share will go first, continuing with our look at love poems that avoid cliche but after that you can share work on any theme. (Not more than 2 pages please so we have enough time.) I will post the Zoom link on the day of the event.

We’ll be doing the question format where participants write questions that they have about your poem in the chat and then the poet selects a question that they would like the group to talk about. Writers gain insight into their work, plus it is fun to talk about our work together. If you are not able to do a screen share, please email your poem to the organizer during the Zoom event.


Sunday February 19, 7pm

We’re going to read love poems that offer a take on love today and we’ll discuss how to write love poems without being cliche. Just in time for Valentines’ Day, we’ll be realistic about all that love contains, including the thorns and complexity.

Ocean Vuong’s A Little Closer to the Edge
https://www.poetryfoundation.org/poetrymagazine/poems/88734/a-little-closer-to-the-edge

We’ll read: Aimee Nezhukumatathil’s “Baked Goods”
https://www.poetryfoundation.org/poems/145509/baked-goods

Marge Piercy, “To have without holding”
https://www.poetryfoundation.org/poems/57672/to-have-without-holding

Kim Addonizio, “First Kiss”
https://www.poetryfoundation.org/poems/42521/first-kiss

Jennifer Chang, “Conversation with Slugs and Sarah”
https://www.poetryfoundation.org/poetrymagazine/poems/54275/conversation-with-slugs-and-sarah

Check out the Poetry Foundation’s complete selection on this theme: https://www.poetryfoundation.org/collections/149006/its-complicated


Sunday, January 15, 7pm

We will be spotlighting the work of Pindar, an Ancient Greek lyric poet. We will read out loud Pindar’s first Olympic Ode so you don’t have to read in advance unless you want to. The text can be found here: http://people.uncw.edu/deagona/CLA%20209%20F-11/Pindar%20d1a.pdf

Or if you would like to read from the Greek/ full English translation of all the odes, check this out: https://ryanfb.github.io/loebolus-data/L056.pdf

Here’s a recording of Olympic Ode One on YouTube: https://www.youtube.com/watch?v=KOKKMS0xdVI


Sunday, December 18, 7pm

Join us for a special holiday treat– a spotlight on the poetry of CAConrad. We will read out loud and discuss some of their poems. A special CAConrad fan will be joining us 🙂 The Zoom link will be shared before the event on FB or via email. Eastern Standard Time.
https://www.poetryfoundation.org/poets/c-a-conrad


Sunday, November 6, 7pm

Inspired by Kleiner’s Haiku Project, we will be looking at historical Japanese haiku by Basho as well as modern American haiku.

https://www.poetryfoundation.org/poets/bashoBasho

Basho Haiku
https://www.uwosh.edu/facstaff/barnhill/es-244-basho/hokku.pdf

Modern Haiku
http://www.modernhaiku.org/issue53-2/haiku.html

Information about the Haiku Project by Kleiner:

Remember that you can submit haiku that you write to: bostonhaikuexchange@gmail.com to receive a submission form where you can submit your two haiku and then you will receive a condensed document via email of haiku submissions. No names, send a nickname with your haiku.


Sunday, October 9, 7pm

Bring a poem or excerpt of any piece of writing of yours and get group feedback. Those who have contrapuntals to share may go first and then after that any kind of work can be shared. (Not more than 2 pages please so we have enough time.)

We’ll be doing the question format where participants write questions that they have about your poem in the chat and then the poet selects a question that they would like the group to talk about. Writers gain insight into their work, plus it is fun to talk about our work together. If you are not able to do a screen share, please email your poem to the organizer.


Sunday, September 18th, 7pm

We’ll be reading examples of contrapuntal poems and discuss how to write in this form that creates multiple readings/multiple poems in one. No need to read in advance but here’s what we’ll be reading together and discussing:

Aubade Ending with the Death of a Mosquito by Tarfia Faizullah
https://dversepoets.com/2018/05/24/contrapuntal-poetry/

Amid Rising Tensions on the Korean Peninsula by Franny Choi
https://poems.com/poem/amid-rising-tensions-on-the-korean-peninsula/

yasmeen by Safia Elhillo
https://www.poetryfoundation.org/poetrymagazine/poems/147159/yasmeen

Further reading if you’re interested:
Trace DePass on Contrapuntal Poems:
https://teachersandwritersmagazine.org/writing-a-contrapuntal-poem-tools-gathered-from-even-odd-project-elevators-8477.htm

Sunday, July 24, 7pm

We will be focusing on feminism/ women writers etc… starting with an essay by Kim Moore and then doing a spotlight on a section of Claudia Rankine’s Citizen. A reminder that you don’t have to read in advance. We can read out loud/ summarize. Here are the readings:

Introduction: https://www.poetryfoundation.org/collections/146073/poetry-and-feminism

Moments of Change by Kim Moore
https://www.poetryfoundation.org/harriet-books/2022/07/moments-of-change

Claudia Rankine, from Citizen “Some years there exists a wanting to escape
https://www.poetryfoundation.org/poems/57799/citizen-some-years-there-exists-a-wanting-to-escape


Sunday July, 10, 7pm

The Lord Randall Ballad was a direct influence of the Bob Dylan song, “A Hard Rain’s Gonna Fall.” We will read that ballad as well as the Dylan song and continue our discussion of the ballad as a folk tradition.

Lord Randall Background:
https://en.wikipedia.org/wiki/Lord_Randall
Lord Randall Ballad:
https://www.poetrybyheart.org.uk/poems/lord-randall/
A Hard Rain’s Gonna Fall
https://www.youtube.com/watch?v=hXn9ZKPx6CY


Sunday, June 19, 2022, 7pm

Ballads: Literary History:
Intro
https://poets.org/glossary/ballad

More detailed information about the history of the ballad:
https://www.folkmusic.net/htmfiles/inart679.htm

The Rime of the Ancient Mariner:
https://www.poetryfoundation.org/poems/43997/the-rime-of-the-ancient-mariner-text-of-1834

Modern Ballads: (Likely not until the 2nd meeting)

50 Best Power Ballads
https://myq105.com/listicle/best-power-ballads/

How to write a ballad
https://www.musicgateway.com/blog/music-industry/music-production/ballad

It’s Alright, Ma (I’m Only Bleeding) by Bob Dylan
https://www.bobdylan.com/songs/its-alright-ma-im-only-bleeding/

Lord Randall Background:
https://en.wikipedia.org/wiki/Lord_Randall

Lord Randall Ballad:
https://www.poetrybyheart.org.uk/poems/lord-randall/

A Hard Rain’s Gonna Fall
https://www.youtube.com/watch?v=hXn9ZKPx6CY

______________________________________________________________________________

Sunday, May 22, 7 PM

Bring a poem or excerpt of any piece of writing of yours and get group feedback. (Not more than 2 pages please so we have enough time.) We’ll start with poems that fit the prompt: “What I learned from someone/a mentor/ a family member etc… but all topics and themes are welcome.

We’ll be doing the question format where participants write questions that they have about your poem in the chat and then the poet selects a question that they would like the group to talk about. Writers gain insight into their work, plus it is fun to talk about our work together. If you are not able to do a screen share, please email your poem to the organizer.


Sunday May 8, 7 PM

Rachel McKibbens, After School Special 

What I Learned From My Mother by Julia Kasdorf

https://www.poetryfoundation.org/poems/48491/what-i-learned-from-my-mother

To My Mother by Edgar Allan Poe

https://www.poetryfoundation.org/poems/55569/to-my-mother-56d2374c0d434

A Practical Mom by Amy Uyematsu

https://www.poetryfoundation.org/poems/53939/a-practical-mom

The Daughter by CARMEN GIMÉNEZ SMITH

https://www.poetryfoundation.org/poems/56714/the-daughter

A Dandelion for My Mother

https://www.poetryfoundation.org/poems/49847/a-dandelion-for-my-mother


Sunday April 24, 7PM:

We’ll be continuing with more French Poetry, in English and French, including discussing banned poems of Charles Baudelaire & more!

Lesbos by Charles Baudelaire
https://fleursdumal.org/poem/179

Femmes damnées by Charles Baudelaire
https://fleursdumal.org/poem/181

Ave by Catherine Pozzi
https://poetryintranslation.wordpress.com/2010/10/08/ave-by-catherine-pozzi-translated-sebastian-hayes/
Video: https://www.youtube.com/watch?v=XLSL7PbRF6I

Le Pont Mirabeau By Guillaume Apollinaire
https://www.frenchtoday.com/french-poetry-reading/poem-le-pont-mirabeau-apollinaire/

Edith Piaf – Non, je ne regrette rien
https://www.youtube.com/watch?v=fFtGfyruroU

La vie en rose
https://www.youtube.com/watch?v=rzeLynj1GYM


Sunday, April 10, 7 PM:

We will be reading some classic French poetry with English translation and the French original. If you would like to read the poem out loud for us in both languages, that would be great but it is optional. We also have recordings we can listen to.

An early poem by Arthur Rimbaud
https://www.frenchtoday.com/french-poetry-reading/poem-le-dormeur-du-val-rimbaud/
Video of the poem being read: https://www.youtube.com/watch?v=QPWxhfed5_g

La Musique by Charles Baudelaire
https://fleursdumal.org/poem/175

Guillaume Apollinaire
https://www.frenchtoday.com/french-poetry-reading/poem-le-pont-mirabeau-apollinaire/

Ave by Catherine Pozzi
https://poetryintranslation.wordpress.com/2010/10/08/ave-by-catherine-pozzi-translated-sebastian-hayes/

Marie-Claire Bancquart
https://www.babelmatrix.org/works/fr/Bancquart,_Marie-Claire-1932/Je_marche_dans_la_solitude_des_livres/en/37662-I_Walk_in_the_Solitude_of_Books


Sunday, March 27, 2022, 7 PM

Bring a poem or excerpt of any piece of writing of yours and get group feedback. (Not more than 2 pages please so we have enough time.) We’ll be doing the question format where participants write questions that they have about your poem in the chat and then the poet selects a question that they would like the group to talk about. Writers gain insight into their work, plus it is fun to talk about our work together. If you are not able to do a screen share, please email your poem to the organizer.


Sunday, March 20, 2022, 7PM

Known as a queer power couple, Ania Catherine and Dejha Ti create interactive/immersive art that challenges our relationship to technology/gender/self/body etc… We’ll be discussing some of the philosophies that their art brings up and then watching footage from their installation & an interview.

Background Information on Ania Catherine and Dejha Ti

https://www.sleek-mag.com/article/what-are-we-innovating-towards-in-conversation-with-ania-catherine-and-dejha-ti/

An Artist Interview:

Installation Tour: 


Sunday, March 6, 2022, 7 PM

We’ll be focusing on how Gertrude Stein brought together a network of artists, writers and philosophers at 27 rue de Fleurus. How do movements in art affect approaches to poetry? We’ll read an experimental poem called Matisse by Stein as an example of that. We’ll also be looking ahead to our future topic: how understanding movements in art today can shape our approach to poetry, so we can begin to think about that but will cover it more in depth later. 

Here’s a video: 

Painting by Matisse 

Matisse by Gertrude Stein

What is the relationship between poetry and art today? (More so for next time, but just to think about it.)

The 21st Century Art Movement: What Is It?

Sunday, February 20, 2022, 7 PM

We’ll be reading queer love poems, especially ones that address Sappho or feel Sapphic (following our recent spotlight on Sappho). Content warning for erotic themes. Poems may include:

Didn’t Sappho say her guts clutched up like this? by Marilyn Hacker

Dreaming of Lesbos by Tatiana de la Tierra

Recreation by Audre Lorde

For Willyce by Pat Parker


Sunday, February 6, 2022, 7 PM

We’ll be doing a spotlight on Sappho: https://poets.org/poet/sappho and reading from a translation of some of her work: https://www.uh.edu/~cldue/texts/sappho.html
Here’s Sappho’s Ode to Aphrodite performed in Ancient Greek https://www.youtube.com/watch?v=3onZPLXt_kw


Sunday, January 23, 2022, 7 PM

Bring a poem or excerpt of any piece of writing of yours and get group feedback. (Not more than 2 pages please so we have enough time.) We’ll be doing the question format where participants write questions that they have about your poem in the chat and then the poet selects a question that they would like the group to talk about. Writers gain insight into their work, plus it is fun to talk about our work together. If you are not able to do a screen share, please email your poem to the organizer.


Sunday, January 9, 2022, 7 PM

We’ll be reading poems about pets and animals, from the T.S. Elliot poem that inspired the musical Cats to Andrea Gibson’s modern slam poem that is a letter to their dog and more! Feel free to bring your pet to our Zoom experience– cats, dogs, guinea pigs, iguanas etc… All welcome.

The Song of the Jellicles by T.S. Eliot

After an illness/Walking the dog by Jane Kenyon

A Letter to my dog, exploring the human condition by Andrea Gibson

Evening Hawk by Robert Penn Warren


Sunday, December 19, 7 PM

We’ll be continuing to learn more about the time period that birthed the English sonnet. This will be a closer look at the English Renaissance as a time period in history and how that shaped literature of the time.

We could also explore other examples of the link between history and form so feel free to bring your own example if you’d like.
The Renaissance (Background/History):

https://www.history.com/topics/renaissance/renaissance

Shakespeare’s Sonnets:

http://www.shakespeares-sonnets.com/all.php (you can click on any of the sonnets to get more info)


Sunday, December 5, 7 PM

We’ll be focusing on the history of the sonnet to become better at understanding the historical origins and how that may improve our craft in writing a sonnet of our own. Resources include:

https://www.poetryfoundation.org/articles/70051/learning-the-sonnet


Sunday November 21, 7 PM

Bring a poem or excerpt of any piece of writing of yours and get group feedback. Preference given to poems that are in form. Check out the options here: https://www.writersdigest.com/write-better-poetry/list-of-50-poetic-forms-for-poets

(Not more than 2 pages please so we have enough time.) We’ll be doing the question format where participants write questions that they have about your poem in the chat and then the poet selects a question that they would like the group to talk about. Writers gain insight into their work, plus it is fun to talk about our work together. If you are not able to do a screen share, please email your poem to the organizer.


Sunday, November 7, 7 PM:

Ever wanted to write in form but not sure how to get started? Have experience writing in form but want to go deeper? We’ll be discussing forms like villanelle, ghazal, sestina, haiku, tanka, sonnet, limerick etc… and reading specific examples to get the feel for how to write in form. (Reading in advance is always optional and not necessary.)

Outline of forms

Why Write In Form?

List of 168 Forms for Poets


Sunday October 24th, 7 PM:

How do you write spooky? We’ll be reading poems with a Halloween theme. The Poetry Foundation offers some great ideas but feel free to pick your own. No need to read in advance. We’ll read together out loud and then discuss, just in time to get ideas of how to approach writing spooky.

https://www.poetryfoundation.org/collections/142010/halloween-poems


Sunday, October 17th, 7 PM

Trying to write during a global pandemic is difficult and often necessary. Let’s explore poems about sickness, illness and recovery to shed light on how to approach writing during these times. Even before the pandemic, many of us struggled with chronic health issues so let’s take a closer look at the craft of expressing that experience: (We will pick whatever poems feel right on the night we meet. You may read in advance if you’d like but it’s not required.) https://www.poetryfoundation.org/collections/145189/poems-of-illness-5a319c160b730


Sunday October 3rd, 7 PM

Spotlight Poet: Patricia Smith

“In contemporary American poetry, all roads lead to Patricia Smith. Look, maybe some of y’all are content with unproductive detours, lyric byways, and formal parking lots, but I’m a writer and a reader who wants to go to where the action is. Patricia Smith is that mecca, that metropolis, that neon city shining atop a jet-black hill.” -Saeed Jones, Read More

Please be mindful of the fact that Patricia Smith is a complex, nuanced writer, often of very difficult to pull off persona pieces that she does amazingly well but that doesn’t mean that we as a group can read out loud all of the things that she does. We will be looking at these poems of hers in particular:

Katrina

Buried

Siblings

Incendiary Art

Voodoo V: Enemy Be Gone


Sunday September 19, 7 PM

We’ll start by sharing how we go about writing poems, what is our process, how and what do we create? (No need to read in advance. We will go over these resources together.)

Please consider these kinds of craft concepts:

Also consider the limits of being able to explain craft with this article.

We may read together out loud any of the following poems to use as examples to talk about craft:
Psalm 150 by Jericho Brown

Poem For The Blackbird by Alina Stefanescu

us by Tory Dent

Bath by Amy Lowell

Moths by Jennifer O’Grady


Sunday September 12, 7 PM

Bring a poem or excerpt of any piece of writing of yours and get group feedback. (Not more than 2 pages please so we have enough time.) We’ll be doing the question format where participants write questions that they have about your poem in the chat and then the poet selects a question that they would like the group to talk about. Writers gain insight into their work, plus it is fun to talk about our work together. If you are not able to do a screen share, please email your poem to: pennapril@gmail.com


Sunday August 29, 7 PM

Coffee houses. Public readings. Poetry community. We’ll be focusing on The Poetry Project at St. Marks and some of the poets and work that brought about this powerhouse NYC community.

A Basic Mission Statement from their website:

from After the Wild Iris by Iris McCloughan

Steve Cannon reading a poem on YouTube

January at the Sutro Baths by Angie Sijun Lou

CA Conrad, Auguries Cast Aside

Find a poem you like in The Recluse:

A long, detailed history


Sunday June 25, 7 PM

How does a poet take an abstract concept and attach specific, raw details to it? Let’s take a closer look at metaphorical language in poetry to see what’s going on here and if we can develop our metaphor making skills more deeply.

Background on metaphor:

Poets, Allow Me to Reintroduce Metaphor and Simile by Hannah Huff

A scholarly look at metaphor:
Metaphor: A Poet is a Nightingale

Specific poems we’ll be reading together:
My Brother My Wound by Natalie Diaz

The Bridge by C Dale Young

From Which I Flew by Tyree Daye

Perhaps This Is For You by Mary Biddinger


Sunday July 11, 7 PM

Bring a poem or excerpt of any piece of writing of yours and get group feedback. Those who have written poems in form will get to go first, continuing our theme from the iambic pentameter/form event. (Not more than 2 pages please so we have enough time.) We’ll be doing the question format where participants write questions that they have about your poem in the chat and then the poet selects a question that they would like the group to talk about. Writers gain insight into their work, plus it is fun to talk about our work together. If you are not able to do a screen share, please email your poem to: pennapril@gmail.com


Sunday June 20, 7 PM

Let’s take a closer look at What is Iambic Pentameter.

We’ll be discussing Shakespeare’s famous Sonnet #18.

Here is an interesting performance of it as a rap.

Here’s a glossary of poetic terms that you might find useful.


Sunday June 6, 7 PM

We’ll be exploring the poetic references and influences on Bob Dylan. This article touches on a few.

Here’s a playlist of the songs that we’ll be looking at:

Here are the lyrics of the songs:

A Hard Rain’s A-Gonna Fall

Tangled Up in Blue

Desolation Row

Mr. Tambourine Man

I Contain Multitudes

Ballad of a Thin Man


Sunday May 30, 7 PM

Composed around 330 BC, Aristotle’s Poetics is a foundation of literary criticism and discussion about what is poetry, art, theater etc… We’ll read some passages from Aristotle’s Poetics but no need to read in advance unless you want to (it’s a lot and we won’t get to it all). Here’s a video that introduces this topic.

Aristotle’s Poetics:

Section 1

Section 2

Section 3


Sunday, May 23, 7 PM

Writer’s Workshop

Bring a poem or excerpt of any piece of writing of yours and get group feedback. (Not more than 2 pages please so we have enough time.) We’ll be doing the question format where participants write questions that they have about your poem in the chat and then the poet selects a question that they would like the group to talk about. Writers gain insight into their work, plus it is fun to talk about our work together. If you are not able to do a screen share, please email your poem to: pennapril@gmail.com


Sunday May 16, 7 PM

Come get existential with us and debate what it means to be a poet. Each of these poems shows a different vantage point of the poet’s life and purpose. We’ll read out loud and discuss the poems together so you don’t have to read in advance.

so you want to be a writer? by Charles Bukowski

For the young who want to by Marge Piercy

In Memory of W.B. Yeats by W. H. Auden

Introduction to Poetry by Billy Collins

Poetry by Pablo Neruda

Ars Poetica by Archibald MacLeish


Sunday May 9, 7 PM

Let’s celebrate Mother’s Day by reading poems about springtime. Usually I go to the Arboretum and smell the lilacs around Mother’s Day but this is a great virtual option. Here are some poems we’ll check out:
After the Winter by Claude McKay

Dear One Absent This Long While by Lisa Olstein

More Than Enough by Marge Piercy

Feuerzauber by Louis Untermeyer

For more spring poems, check out the Poetry Foundation’s spring poems:


Sunday May 2, 7 PM

Performing Edgar Allan Poe

We’ll consider what makes Poe’s famous poem, The Raven, so conducive to dramatic performance. Here’s the text of the poem:
Here’s a dramatic performance of The Raven.
I found this video useful if you want to see the text as it is read.


Sunday April 25, 7 PM

Does poem order matter in a manuscript and affect how different poems are read? We’ll read some parts of this article out loud together.

We will read some of the poems in this chapbook by Clay Cantrell to analyze it for poem order.


Sunday April 18, 7 PM

We’ll be talking about the Poetry Foundation’s introduction to the Harlem Renaissance by reading some classic poems together. Folks are also welcome to share other notable poems from the Harlem Renaissance. Here are some poems we might read together. You don’t have to read anything in advance:

Foredoom by Georgia Douglas Johnson

America by Claude McKay

Dunbar by Anne Spencer

November Cotton Flower by Jean Toomer

The Negro Speaks of Rivers by Langston Hughes


Sunday April 11, 7 PM

Writer’s Workshop

Bring a poem or excerpt of any piece of writing of yours and get group feedback. (Not more than 2 pages please so we have enough time.) We’ll be doing the question format where participants write questions that they have about your poem in the chat and then the poet selects a question that they would like the group to talk about. Writers gain insight into their work, plus it is fun to talk about our work together. If you are not able to do a screen share, please email your poem to: pennapril@gmail.com


Sunday April 4, 7 PM

We’ll be reading some of the greatest hits of poems about music, as selected by the Poetry Foundation.

Canary by Rita Dove

Blues for Almost Forgotten Music by Roxane Beth Johnson

& A wildcard pick- maybe you have a poem that you like- feel free to share that or we can pick another from the Poetry Foundation’s list.


Sunday March 28, 7 PM

We’re going to talk about what parataxis is– when you use short sentences or phrases without connecting them with conjunctions like “but.” Something poets do often. June Jordan’s poems will be good examples of parataxis so we’ll read them out loud. You don’t have to read anything in advance.

Here’s information about parataxis:

Here are poems by June Jordan:
Poem About My Rights

The Bombing of Baghdad

Here is a complex literary analysis on parataxis. June Jordan’s work is first mentioned on p. 289.


Sunday March 21st, 7 PM

We’ll read together poems about chronic illness and disability. Poetry as a way of making sense of these experiences…What can we learn about turning pain into language, resistance & rebellion?

Liv Mammone, Surgery Psalm

Hieu Minh Nguyen, Type II

Natalie E. Illum, I know It’s Easier For You

The Poetry Foundation has a lot of poems on this topic if you are interested in further reading.


Sunday March 14, 7 PM

Writer’s Workshop

Bring a poem or excerpt of any piece of writing of yours (you’re encouraged to bring a poem in form but that’s just a suggestion) and get group feedback. (Not more than 2 pages please so we have enough time.) We’ll be doing the question format where participants write questions that they have about your poem in the chat and then the poet selects a question that they would like the group to talk about. Writers gain insight into their work, plus it is fun to talk about our work together. If you are not able to do a screen share, please email your poem to: pennapril@gmail.com


Sunday March 7, 7 PM

What is the modern sonnet? If you write a poem that is 14 lines, does that count as a sonnet (given that you can break all the original rules)? Let’s explore the modern sonnet. Here’s a couple of introductory resources, followed by modern sonnets that we’ll read together. No need to read in advance. This will prepare us for a writer’s workshop that focuses on poems written in form.

Info about how to write a sonnet

History of the sonnet and modern-day look at the sonnet

Sonnets to read together:
Terrance Hayes, American Sonnet for My Past and Future Assassin

Billy Collins, Sonnet

Sam Rush, Sonnet for speech too soft & you who’ve yet to choose a name

Jay Deshpande, Sonnet Written Walking Under The Mess Some Magnolia Made


Sunday February 28, 7 PM

From Arthur Rimbaud to Rachel McKibbens, we’ll be looking at the influence of surrealism in art and poetry. We’ll start with surrealist paintings by Remedios Varo and discuss the elements of surrealism. (Note-you don’t have to read anything in advance unless you want to. We’ll show the images and read the poems together.)

Remedios Varo

Leonora Carrington

Arthur Rimbaud- A Season In Hell

Rachel McKibbens-Bon Dieu


Sunday February 21, 7 PM

Writer’s Workshop:

Bring a poem or excerpt of any piece of writing of yours and get group feedback. (Not more than 2 pages please so we have time for everyone.) We’ll be doing the question format where participants write questions that they have about your poem in the chat and then the poet selects a question that they would like the group to talk about. Writers gain insight into their work, plus it is fun to talk about our work together. If you are not able to do a screen share, please email your poem to: pennapril@gmail.com


Sunday February 14, 7 PM

Plato’s Republic, written in 380 BC, is perhaps most famous for the Allegory of the Cave. We’ll be reading parts of the famous passage out loud in the group so you don’t have to read in advance unless you want to. I found a YouTube video that explains Plato’s allegory. Also here is Book 7 of Plato’s Republic where you will find the allegory of the cave discussion.


Sunday February 7, 4:30 PM

We’ll be discussing etymology–the origin of a word and the historical development of its meaning– by reading poems that deal with etymology. Here are the poems we’ll be reading:

Touchy by Elizabeth Bradfield

Threshing the Word: Sappho and a Particle Physics of Language
by Meredith Stricker

etymology
by Airea D. Matthews


Sunday January 31, 7 PM

What is elliptical poetry? Are these “elliptical” poets similar to each other? What post-modern qualities do they have in common?

Here’s the Boston Review article that coined the term “elliptical.”

We’ll be reading out loud these poems:

Alphabet’s End by Susan Wheeler

Book by Mark Levine

Extreme Wisteria by Lucie Brock-Broido

Back to Country by Liam Rector


Sunday January 24, 7 PM

Radical Trans Poetics: LGBTQIA Poets On Gender & Language

We’ll be reading two poems from An Anthology of Radical Trans Poetics as well as two poems by torrin a greathouse. If we have time, we’ll also read a poem by Eileen Myles. Through a close reading of these poems, we’ll talk about some of the characteristics of radical trans poetics and what we can learn about language/identity/body etc… If anyone is interested in further reading, here is an interview with Emerson Whitney I found interesting and here’s a list of LGBT poets and writers. Also check out authors from the Radical Trans Poetics anthology here on YouTube reading their own work.


Sunday, January 17, 7 PM

Writer’s Workshop: Flash Fiction & Narrative Poetry

Bring your flash fiction (very short stories) or your narrative poetry and get feedback about it. Maximum of two pages. If the writing is very short, you may put multiple works on the page. We’ll be doing the question format where participants write questions that they have about your poem in the chat and then the writer selects a question that they would like the group to talk about. Writers gain insight into their work, plus it is fun to talk about our work together. If you are not able to do a screen share, please email your work to: pennapril@gmail.com


Sunday, January 10, 7 PM

An Introduction to Flash Fiction


Sunday January 3, 7 PM

Poetry of the Bubonic Plague and Beyond

What does the poetry of the Bubonic Plague have to teach us about the influence of plagues on art and culture? How will our current times affect the future of poetry? Are past plagues a looking glass into the future or something else entirely?

We’ll discuss Danse Macabre: Totentanz by Bernt Notke. Here is an intro:

And here is a blog that has the text of Totentanz if you scroll down.

Here’s a general article about poetry and plague.

For further reading, here is an article with various plague related poems.


Sunday December 27, 7 PM

Writer’s Workshop


Sunday December 20, 7 PM

Poetry in Translation: Translation from Irish, Greek & More focusing on the question: What are challenges of translation and what does that teach us about language?

Why I Choose To Write In Irish

Nuala Ní Dhomhnaill, also in Poetry Foundation here

Three Irish Poets

Labhair an Teanga Ghaeilge

Padraig Pearse: Mise Eire

Mise Éire – I am Ireland

Easter Rising 1916: Mise Éire / I am Ireland by Pádraig Pearse


Sunday December 13, 7 PM

What is it like to experience the beauty of poetry? How do we also experience the sublime? Why do we make art? Let’s take a look at Immanuel Kant’s theories to help us connect with poetry more deeply. Check out this video here for more information: We will be reading these two poems together:

John Keats’ Ode on A Grecian Urn

Reginald Shepherd’s The Friend


Sunday December 6, 7 PM

Beat Poetry Night

Beat Poetry Introduction 

Here are the poems we will read out loud:
An Exercise In Love by Diane Di Prima

A Supermarket in California by Allen Ginsberg

Mid-August at Sourdough Mountain Lookout by Gary Snyder


Sunday November 29, 7 PM

Writer’s Workshop: Bring a poem or excerpt of any piece of writing of yours and get group feedback. (Not more than 2 pages please so we have time for everyone.) We’ll be doing the question format where participants write questions that they have about your poem in the chat and then the poet selects a question that they would like the group to talk about. Writers gain insight into their work, plus it is fun to talk about our work together. If you are not able to do a screen share, please email your poem to: pennapril@gmail.com


Sunday November 22, 7 PM

Background of experimental writing

World’s shortest poem

An example of concrete poetry: Marilyn Nelson’s Fingers Remember

Gertrude Stein reading If I Told Him a Completed Portrait of Picasso

Fred Moten

Michael F. Gill talking about his conceptual piece where he repeats the word “grapefruit” for hours


Sunday, November 15, 7 PM

British Romanticism: Wordsworth & Keats

I Wandered Lonely As A Cloud by William Wordsworth

Ode On A Grecian Urn by John Keats

Extra Readings for the poet nerds:
Poem Guide to John Keats’ Ode On A Grecian Urn

Observations Prefixed to Lyrical Ballads by William Wordsworth

Selections from Keats’ Letters

William Wordworth 101

John Keats 101


Sunday, November 8, 2020, 7 PM

The Intimacy of Superstition: How do poets use superstition to create intimacy in their work? Is superstition a believed act of the imagination? How do we mix belief with the unbelievable to create connection with readers? 
Check out Aimee Nezhukumatathil’s article, The Poetry of Superstition and Supposition, and try one of the prompts if you’d like.
We will read out loud and discuss these poems: 
Superstition by Ashley August
Superstition by Amy Lowell


Sunday, November 1, 2020, 7 PM

Dark Romanticism

The Raven by Edgar Allan Poe (Read by Suzanne O’Toole)

Current day examples of “Gothic”: Daphne GottliebC BainCassandra de Alba


Sunday, October 25, 2020, 7PM

Writer’s Workshop


Sunday, October 18, 2020

Our topic tonight is Imagism. Here is an Imagism 101 Introduction.

Here are Imagist poems we’ll be reading and discussing :

13 Ways of Looking At A Blackbird by Wallace Stevens

The River-Merchant’s Wife: A Letter by Ezra Pound

Evening by H.D.

Here are some additional readings and information in case you are interested:

No More Cane (Charlie says “No More Cane is a traditional roots song ascribed to Leadbelly and performed by many including Odetta and The Band. I am interested in that because it would be considered oral and dialectic poetry but fulfills quite nicely the ideals of imagism.”)

T.S. Elliot Objective correlative

An article on the Eastern influence on American Imagism


Sunday, October 11, 2020 at 7 PM

Line Breaks In Poetry:

Poetic Devices Explained: Line Breaks

Line Breaks In Poetry Video

Poetic Line Breaks Guide


Sunday, October 4, 2020 at 7 PM

Wildcard Warm up

We’ll discuss reading this poetic essay by Natalie Diaz: If What I Mean Is Hummingbird, If What I Mean Is Fall Into My Mouth

Also we’ll use this video by Ethan Hawke as a way to give ourselves permission to be creative.


Sunday September 27, 2020 at 7 PM

Wildcard Warm ups

Discussion of Is “Show Don’t Tell” a Universal Truth or a Colonial Relic? By Namrata Poddar

Please add to our list of meeting topic ideas here. If you’d like to submit a topic proposal for a future meeting, please email pennapril@gmail.com the following information: Meeting Topic Title, A Brief Description of the Topic, Links or PDFs of readings/resources that we will use.


Sunday September 20, 2020 at 7 PM

Intros

Writer’s Workshop: Please bring a poem that you wrote or an excerpt of any piece of writing written by you (1-2 pages max). You read your work out loud to the group and then others type questions that they have about the work into the chat. You pick your favorite 2 questions and then the group discusses your work based on those questions.

Please add to our list of meeting topic ideas here. If you’d like to submit a topic proposal for a future meeting, please email pennapril@gmail.com the following information: Meeting Topic Title, A Brief Description of the Topic, Links or PDFs of readings/resources that we will use.


Date: Sunday, September 13, 2020 @ 7 PM

Intros

Wildcard Warm Up(s)

Discuss Will Harris On The Idea of Poetry As Interconnectedness


Date: 09/06/2020, 7 PM (via Zoom)

Intros

Wild Card Warm Up (One or more participants may share a poem that the group then talks about.)

List of Future Ideas

Discuss Article (Please note we won’t be discussing this article until the second meeting, but this is an example of what we may read and discuss in this group.) Will Harris On The Idea of Poetry As Interconnectedness